The story revolves around Jack Manningham, who is slowly and
deliberately driving his wife, Bella, insane in an attempt to have her
committed and therefore prevent her from discovering too much about his
extremely murky past.
He has almost succeeded in his evil plan when help arrives in the shape of former detective, Rough, who has strong reason to believe that Manningham is the thief and murderer he first encountered as a young bobby 20 years previously in exactly the same house.
He has almost succeeded in his evil plan when help arrives in the shape of former detective, Rough, who has strong reason to believe that Manningham is the thief and murderer he first encountered as a young bobby 20 years previously in exactly the same house.
All the action of the play, by Patrick Hamilton, takes place
in just one place – the typically overstuffed living room of a mid-Victorian
upper-class household,
And it had been created with such care by the club’s
backstage team that it provided the perfect claustrophobic setting for this
taut psychological thriller.
The acting from a relatively small cast was flawless.
Twenty Club stalwart Arwel Jarvis was the embodiment of a
haughty Victorian gentleman with a dark secret to hide. So accomplished was he
that, at times, he frightened the audience as well as his poor wife.
Reacting with just the right amount of pathos to this
dastardly villain was Paula Sutton as Bella Manningham. As she descended into
her husband-induced madness she took us all with her into the pit of despair.
The man who finally solves this deeply disturbing whodunnit is
Mathew Oswald-Haggett as the ex-police detective. His character’s name may have
been Rough but Mathew’s performance was marvellously smooth.
Another neat performance came from one of the younger
members of the club’s on-stage team, Amy Tennant, who fitted her part of the
Manningham’s flighty maid Nancy like a velvet glove.
And no production by the club would be complete without an
appearance by Noreen Turner, who this time was totally believable as the family
cook and housekeeper, Elizabeth.
While the producer for Gaslight was the highly experienced
Mike Law, the piece had at its helm David Edgar, a first-time director for the
club. And the end result was a real credit to his abilities.
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